tag:blogger.com,1999:blog-16549038459209223012024-03-04T23:52:11.071-08:00EclecticipherEclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.comBlogger44125tag:blogger.com,1999:blog-1654903845920922301.post-41624515163443302372010-09-08T15:17:00.001-07:002010-09-08T15:30:18.410-07:00The Herbaliser – Herbal Tonic<div align="left"><a href="http://www.thelineofbestfit.com/wp-content/media/2010/06/herbaliser_cover.jpg"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 375px; CURSOR: hand" border="0" alt="" src="http://www.thelineofbestfit.com/wp-content/media/2010/06/herbaliser_cover.jpg" /></a><br /></div>01. Gadget Funk<br />02. Nah' Mean Nah'm Sayin'<br />03. The Missing Suitcase<br />04. The Blend<br />05. Starlight<br />06. Song For Mary<br />07. Mr Chombee Has The Flaw (From Session 2)<br />08. Something Wicked<br />09. Mrs Chombee Takes The Plunge (PC Remix)<br />10. The Sensual Woman<br />11. It Ain't Nuttin'<br />12. 8pt Agenda<br />13. Tea & Beer<br />14. Ginger Jumps The Fence<br />15. March of the Dead Things<br />16. Stranded on Earth<br /><a href="http://shareflare.net/download/69110.6917470c2e480176692b8cafbb4f53b82/Tonic.rar.html">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-83243351975474172792010-05-19T11:46:00.000-07:002010-05-19T12:00:23.973-07:00The Ananda Shankar Experience & State Of Bengal - Walking On<a href="http://userserve-ak.last.fm/serve/252/273656.jpg"><img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 252px; CURSOR: hand; HEIGHT: 252px; TEXT-ALIGN: center" alt="" src="http://userserve-ak.last.fm/serve/252/273656.jpg" border="0" /></a><br /><div>Ananda was born in Almora, Utta Pradesh in 1942. The son of dancers Uday and Amala Shankar and the nephew of Pandit Ravi Shankar, he was raised in an artistically creative atmosphere. He went on to produce some of the most influential tracks of the sixties, and to jam with the likes of Jimi Hendrix amoung others. 'Walking On' sees Ananda pushing his talent yet further and teaming up with State of Bengal.<br />State of Bengal's eclectic mix of Indian classical music with breakbeat, hip-hop, tabla driven beats and melodic vocals seemed perfect as a nineties response to Ananda's sound. Fresh from work with Bjork, Nusrat Fateh Ali Khan and Massive Attack, Sam Zaman found time off from making his own album (Visual Audio on One Little Indian) to throw himself fully into the project.</div><div></div><div><br /></div><div>Tracklist</div><div>1. Walking On</div><div>2. Tori</div><div>3. Pluck</div><div>4. Alma Ata</div><div>5. Jungle Symphony (Live)</div><div>6. Betelnutters</div><div>7. Tanusree</div><div>8. Throw Down</div><div>9. Love & Passion</div><div>10. Reverse</div><div>11. Streets of Calcutta (Live)</div><div><a href="http://linkbee.com/FSF06">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com6tag:blogger.com,1999:blog-1654903845920922301.post-34728326125112020122010-05-09T10:41:00.000-07:002010-05-09T10:51:56.041-07:00Un chien Andalou<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixwkBn-q4mtPC6BK13YpcDL-ZQTUlrwylTZP-gTCUACa1A0LHiVZgweDwqeo0mmVNWcL6ImNTP4vP3L5HS-rc5in8d6kf8RhX0_fA9-p7sVfNU1dHSiUmfo0THU6VMiCWsbvL251DdXQCA/s1600/un_chien_andalou.jpg"><img id="BLOGGER_PHOTO_ID_5469328147078554530" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 205px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixwkBn-q4mtPC6BK13YpcDL-ZQTUlrwylTZP-gTCUACa1A0LHiVZgweDwqeo0mmVNWcL6ImNTP4vP3L5HS-rc5in8d6kf8RhX0_fA9-p7sVfNU1dHSiUmfo0THU6VMiCWsbvL251DdXQCA/s320/un_chien_andalou.jpg" border="0" /></a><br /><div>Un Chien Andalou is a sixteen minute silent surrealist short film produced in France by the Spanish director Luis Buñuel and artist Salvador Dalí. Its title means "An Andalusian Dog", but it is normally released under its original French title in the English-speaking world. It was Dali's first film and was initially released in 1929 to a limited showing in Paris, but became popular and ran for eight months. It is one of the best-known surrealist films of the avant-garde movement of the 1920s.<br />The film has no plot in the conventional sense of the word. The chronology of the film is disjointed, jumping from the initial "once upon a time" to "eight years later" without the events or characters changing very much. It uses dream logic in narrative flow that can be described in terms of then-popular Freudian free association, presenting a series of tenuously related scenes.</div><div>The idea for the film actually began when Buñuel was working as an assistant director for Jean Epstein in France. Buñuel told Dalí at a restaurant one day about a dream in which a cloud sliced the moon in half "like a razor blade slicing through an eye". Dalí responded that he'd dreamed about a hand crawling with ants. They were fascinated by what the psyche could create, and decided to write a script based on the concept of suppressed human emotions.</div><div><a href="http://linkbee.com/FQJYV">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-62058474894887053212010-04-27T20:50:00.000-07:002010-04-28T12:21:38.558-07:00Dj Food - A Recipe for Disaster<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd9aDErBxHlq3NraqgagpRkXRPkPK0jgD5PRJTk06HBcSnPO_KllhZ5O9v4Oul7EzcxYDz6IbyCbUomZAihyphenhyphenngpmZGIWHxF4xybAlnvGU_Q1OfJFOZXBla-5ghdoP2qMpPtusBsekYjsyh/s1600/DJ+Food+-+A+Recipe+for+Disaster.jpg"><img id="BLOGGER_PHOTO_ID_5465030953245247666" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd9aDErBxHlq3NraqgagpRkXRPkPK0jgD5PRJTk06HBcSnPO_KllhZ5O9v4Oul7EzcxYDz6IbyCbUomZAihyphenhyphenngpmZGIWHxF4xybAlnvGU_Q1OfJFOZXBla-5ghdoP2qMpPtusBsekYjsyh/s320/DJ+Food+-+A+Recipe+for+Disaster.jpg" border="0" /></a><br /><div>DJ Food is a collaborative project between Coldcut/Ninja Tune duo Matt Black and Jonathan More, and second-half PC (born Patrick Carpenter) and Strictly (Kevin Foakes). Although the moniker originally referred only to Black and More's several-volumed series of stripped-down breaks records designed for deck use (i.e., "food" for DJs), club booking demands for the assumedly proper-named DJ Food dictated the pair make an ongoing project of it. Adding PC and Strictly to spice things up (and differentiate DJ Food from Coldcut when they played the same bill), the quartet released a series of 12" singles in various combinations starting in 1994 (including "Freedom"/"Consciousness"), with their proper debut full-length, A Recipe for Disaster, appearing the following year.</div><div><a href="http://linkbee.com/FOO99">Ninja Tune</a></div><div></div><div><br /></div><div>Tracklist</div><div>Dark River </div><div>Inosan </div><div>Scratch Yer Hed </div><div>Mr. Quicke Cuts the Cheese </div><div>Brass Neck </div><div>Fungle Junk </div><div>Half Step </div><div>Dusk </div><div>Bass City Roller </div><div>Spiral </div><div>Scratch Yer Butt </div><div>Akaire </div><div>Little Samba </div><div>Scientific Youth</div><div><a href="http://linkbee.com/FOO8Q">link</a></div><div> </div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-69671812497525030712010-04-26T11:41:00.000-07:002010-04-26T11:49:23.242-07:00Broken Note - Terminal Static<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtDBzSxvwR3XpsJNY-BNs7OXBl0LAyCi8RFaT4qnOO8SM_OGxgU9Pd24Q4PwH5SJ2LEhuRMmxZrTeNxmg5ZKsMT_9zW8NJ0h193pTJh5O-_151zslyUWn2PBXlOON0jaWwjw86cwoGVhhK/s1600/adn117.jpg"><img id="BLOGGER_PHOTO_ID_5464518508163032882" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 286px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtDBzSxvwR3XpsJNY-BNs7OXBl0LAyCi8RFaT4qnOO8SM_OGxgU9Pd24Q4PwH5SJ2LEhuRMmxZrTeNxmg5ZKsMT_9zW8NJ0h193pTJh5O-_151zslyUWn2PBXlOON0jaWwjw86cwoGVhhK/s320/adn117.jpg" border="0" /></a><br />After two very remarked single 12" on Ad Noiseam, Broken Note unleash their first full length release, in the form of a CD featuring their past vinyl-only discography, plus a couple of tracks that had never been released on either formats and remixes by Hecq and Enduser. Mixing dubstep, drum'n'bass, breakcore and industrial-grade distortion, these two musicians create dancefloor-ready, fresh and intense tracks which have proved their efficiency in legion of clubs or shows. From the deepest hooks of such tracks as "Zealot" or "War In the Making" to the accurately named "Fury" and equally broken "Let 'Em Hang", Broken Note's array of talent is their force, bringing together fans of shattered beats and those of heavy basses.<br /><a href="http://linkbee.com/FOG99">Ad Noiseam</a><br /><br />Tracklist<br />1. Mortal Bass<br />2. Let 'Em Hang<br />3. Mask Of Gas<br />4. Meltdown<br />5. War In The Making<br />6. Zealot<br />7. Pyrotek<br />8. Dubversion<br />9. Crux<br />10. Juno Reactor: Tokyo Dub (remix by Broken Note)<br />11. The Fury<br />12. Dubersion (remix by Hecq)<br />13. Crux (remix by I Am The Sun)<br /><a href="http://linkbee.com/FOHAD">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-3605718435678550432010-04-25T21:27:00.000-07:002010-04-25T21:58:22.208-07:00laszlo hortobagyi - 6th all-india music conference<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-hD43yKRyZH_-EEM1uIcgnj5MvQj5EXIMTv4okzImZPFwncM-brGRxNgBLYRpNHsLRLfIVMfOAenn2NKMeNTFdN-Zl4uy0ovKGrt3UWgbdxf7SByLwMOOweICnmI135Vnr_blBTSxooji/s1600/front.cover.jpg"><img id="BLOGGER_PHOTO_ID_5464298667446288258" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 315px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-hD43yKRyZH_-EEM1uIcgnj5MvQj5EXIMTv4okzImZPFwncM-brGRxNgBLYRpNHsLRLfIVMfOAenn2NKMeNTFdN-Zl4uy0ovKGrt3UWgbdxf7SByLwMOOweICnmI135Vnr_blBTSxooji/s320/front.cover.jpg" border="0" /></a><br /><div>Hortobagyi has spent the last 30 years creating the music of a world that never existed but might exist in a parallel universe. A complete Musical History of a Parallel Earth. A planet , where east and west mixed somewhat differently. Much deeper.</div><div><br /></div><div>Tracklist</div><div>ANAGATHA<br />RUSSIAN CHAKRA </div><div>KRITI-BAROQUE<br />FORIS-INTUS </div><div>PARAGITA-LAUDA </div><div>RAGAMELAN<br />ANAVIRARSJA </div><div><a href="http://linkbee.com/CRW7O">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-30485240783485291542010-04-25T13:22:00.000-07:002010-04-25T13:34:41.771-07:00Enduser - Bollywood Breaks<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbOgG1MGjDjsiYnigBatwG5WYQNzXBGMi8cyS33JMvqKP7gV_VKH-qojkDQPF7kWQsBxYEDo_h0wAVz2jJQOqPg-iHSqv_eQng51L9JFy_ri4UaG2Rc36DDaIp0EISWDodIpd-z6X0MwyQ/s1600/adn41dl2.jpg"><img id="BLOGGER_PHOTO_ID_5464175905927814466" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbOgG1MGjDjsiYnigBatwG5WYQNzXBGMi8cyS33JMvqKP7gV_VKH-qojkDQPF7kWQsBxYEDo_h0wAVz2jJQOqPg-iHSqv_eQng51L9JFy_ri4UaG2Rc36DDaIp0EISWDodIpd-z6X0MwyQ/s320/adn41dl2.jpg" border="0" /></a><br /><div><br /><br /><div>"Not So Distant Drums" begins the EP with effects-laden drum programming not very different from recent Bhangra records but soon moves into jagged beats so violent that those uninitiated in the ways of breakcore may check their speakers for defects. The vocal sample, the heart of the composition, is left somewhat intact with its melancholia punctured by the mix. Breaks built around the sample of a Bollywood track may not sound either revolutionary or worthy of mention but Enduser's treatment is a perfect technologically enhanced paean to the biggest movie industry in the world. Drill n' bass is the M.O. on "No Wisdom" and "Not Here" - think Aphex Twin circa Come to Daddy. Industrial strength beat programming overpowers the vocal samples, which take the backseat on both compositions; "Not Here" allows tablas, sitars and devotional vocals into the mix just long enough before the beats take over again.</div><br /><div></div><br /><div>Tracklist</div><div>A1 Not So Distant Drums</div><div>A2 No Wisdom</div><div>A3 Not Here</div><div>B1 Return Of The Kourma Lover (Mad E.P. Remix)</div><div>B2 More Distant Than You Think (LARVAE Remix)</div><div>B3 Vishnu's Eastern Block (Line 47 Remix)</div><div><a href="http://linkbee.com/FOFA2">link</a></div></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-43485836964325133262010-04-25T12:55:00.000-07:002010-04-25T13:22:04.658-07:00VA - Eastern Drum and Breaks Vol.2<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2QfhgGN4yl3264lIYO8V_Xt_Hqlg8lZtNp9ZZEm8mA3G3wLPo1wqeNz0gHqD8t5rbqxBeuYiFNvHjcQRXCWQ9txmQ5-FzWWwWomFtRYw_SBXMwKphedsPybbiW2pd9T2qCgFnEaXXZwnV/s1600/7895_ednbvol2cover.jpg"><img id="BLOGGER_PHOTO_ID_5464170459403279682" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 198px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2QfhgGN4yl3264lIYO8V_Xt_Hqlg8lZtNp9ZZEm8mA3G3wLPo1wqeNz0gHqD8t5rbqxBeuYiFNvHjcQRXCWQ9txmQ5-FzWWwWomFtRYw_SBXMwKphedsPybbiW2pd9T2qCgFnEaXXZwnV/s320/7895_ednbvol2cover.jpg" border="0" /></a><br />Throughout 14 tracks, Ges-e and the Nasha collective take you on an incredible journey. Sitars and Tabla contrast with a rough rolling bassline in the opening ‘PK 757’, setting the standard for an album where Arabic strings, flutes and traditional Indian instruments provide a striking yet successful contrast with grimey breaks and dirty basslines, with great vocal licks providing more dramatic touches. From the strong dancefloor flavours to experimental journeys, from subtle message-bearing stormers to old school electro vibe, with special mention to the utterly gorgeous rework of A.R. Rahman’s classic Bollywood song ‘So Gaye Hain’, this album is a rich and contrasted collection.<br /><a href="http://linkbee.com/FOE94">Nasha Records</a><br /><br />Tracklist<br />01 Ges-E - PK757<br />02 Zahid - Sahara<br />03 A.R. Rahman - So Gaye Hain (Ges-E & Equal 1 Refix) <br />04 Nasha Experience - Aaja<br />05 Aktarv8r - Shinkirou<br />06 Zahid - Electro K<br />07 Phono 2 Mini Jack - Elastic People<br />08 Aktarv8r - Afterwrath<br />09 Zahid - The Gaza Strip<br />10 Ges-E - Streets Of Basra<br />11 Interlude<br />12 Ges-E - Mann Industries<br />13 Vani - Pyar Bina<br />14 Osmani Soundz - Lushmeena<br /><a href="http://linkbee.com/FOE9G">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com2tag:blogger.com,1999:blog-1654903845920922301.post-6976353027722439872010-04-25T12:46:00.000-07:002010-04-25T12:54:47.404-07:00Bombay The Hard Way - Guns, Cars & Sitars<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAtwuMVJ_f2EATq6njcNE55RI2Dok73BLE1aw_evGlfR3yRH6-xTD0grXnqbZ1AYh6bhTafO9thprH06-hKrbbNohp4FVerXj_8PpsqI2DT4ZxltmN5NoWtBWenH90lzxUjWPIPhOnhHIa/s1600/51KEKPD5P1L__SL500_AA300_.jpg"><img id="BLOGGER_PHOTO_ID_5464164462222329522" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAtwuMVJ_f2EATq6njcNE55RI2Dok73BLE1aw_evGlfR3yRH6-xTD0grXnqbZ1AYh6bhTafO9thprH06-hKrbbNohp4FVerXj_8PpsqI2DT4ZxltmN5NoWtBWenH90lzxUjWPIPhOnhHIa/s320/51KEKPD5P1L__SL500_AA300_.jpg" border="0" /></a><br />Bombay the Hard Way: Guns, Cars and Sitars is a joint project of producer Dan The Automator and DJ Shadow in which music from '70s funk Bollywood composers Kalyanji and Anandji was taken and given a funky remix. The album was eventually withdrawn (possibly due to copyright concerns), but helped to establish Dan The Automator and DJ Shadow in the underground hip hop music scene. A sequel, Bombay 2: Electric Vindaloo, was also produced.<br /><br />Tracklist<br />1. Bombay 405 Miles<br />2. Good, the Bad and the Chutney<br />3. My Guru<br />4. Ganges a Go-Go<br />5. Great Gambler<br />6. Professor Pyarelal<br />7. Fists of Curry<br />8. Punjabis, Pimps & Players<br />9. Inspector Jay from Dehli<br />10. Satchidananda<br />11. Theme from Don<br />12. Fear of a Brown Planet<br />13. Uptown Bollywood Nights<br />14. Kundans Hideout<br />15. Swami Safari<br /><a href="http://linkbee.com/FOE86">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com2tag:blogger.com,1999:blog-1654903845920922301.post-26318451732623148982010-04-25T12:37:00.000-07:002010-04-25T12:46:22.801-07:00Bombay the Hard Way, Vol. 2: Electric Vindaloo<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1GcHPD0AoWgKpjgZduUeCN9pP9YwWZTtyJDmgHkSKDJrZsU_uZa1h8CbFr2x8FY8hguv0XYAoRbpNQ-J6XZzkaapBIlEPxamwoCpeVNscgOzOh1jAELj3r77YbuV6rNRbGOZKdh_-Vb-/s1600/61f7sb8ldLL__SL500_AA300_.jpg"><img id="BLOGGER_PHOTO_ID_5464162116837441058" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1GcHPD0AoWgKpjgZduUeCN9pP9YwWZTtyJDmgHkSKDJrZsU_uZa1h8CbFr2x8FY8hguv0XYAoRbpNQ-J6XZzkaapBIlEPxamwoCpeVNscgOzOh1jAELj3r77YbuV6rNRbGOZKdh_-Vb-/s320/61f7sb8ldLL__SL500_AA300_.jpg" border="0" /></a><br /><div></div><br /><p>Tracklist<br />1. Ram Balram - Ursula 1000<br />2. Bionic Hahaan - Dynomite D., Kid Koala<br />3. Theme From Twin Sheiks<br />4. Third World Lover - Mix Master Mike<br />5. Rah-Keet<br />6. Hydrolik Carpet Ride<br />7. Bollywood B-Boy Battle - Dynomite D.<br />8. Mr. Natwarlal<br />9. Basmati Beatdown<br />10. T.J. Hookah<br />11. Superstar Sam<br />12. Disco Raj<br />13. Sexy Mother Fakir<br />14. Inspector Jay's Big Score - Steinski<br />15. Electric Uindaloo<br />16. Dil Street Blues<br />17. Chakra Khan <br /><a href="http://linkbee.com/FOE8O">link</a></p>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com3tag:blogger.com,1999:blog-1654903845920922301.post-44832026604405375172010-04-21T17:22:00.000-07:002010-04-21T17:38:59.757-07:00Bombay Dub Orchestra<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYO0NzgtZGdwfJ7BcEFl0Oz7LgG6IWDE_dNN9NQW9n1JrUHkDmFsX-zfBja8rW_KDtSlkEXr7pVrdYWJn-78Ew1zW3bb2ygQZQzcEG3tbR5B0EtpkUnZ-E5oIOK-ST8W9H-I171dHqoRj/s1600/Bombay-300.jpg"><img id="BLOGGER_PHOTO_ID_5462751002990293714" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYO0NzgtZGdwfJ7BcEFl0Oz7LgG6IWDE_dNN9NQW9n1JrUHkDmFsX-zfBja8rW_KDtSlkEXr7pVrdYWJn-78Ew1zW3bb2ygQZQzcEG3tbR5B0EtpkUnZ-E5oIOK-ST8W9H-I171dHqoRj/s320/Bombay-300.jpg" border="0" /></a><br />The Bombay Dub Orchestra combines the beautiful sounds of ambient electronica with a 28-piece Bollywood orchestra. The end result is a new kind of lush, South Asian influenced symphonic "chill" music.<br /><br />Tracklist<br />DISC 1 - Bombay<br />1. Compassion 4:45<br />2. Rare Earth 5:44<br />3. Mumtaz 4:08<br />4. The Berber Of Seville 4:02<br />5. To The Shore 6:19<br />6. The Greater Silence 6:19<br />7. Feel 6:46<br />8. Dust 4:18<br />9. Sonata 3:17<br />10. Unexpected Rain 5:04<br />11. Beauty And The East 8:40<br />12. Remembrance<br /><a href="http://linkbee.com/FNMVX">link</a><br /><br />DISC 2 - Dub<br />1. Rare Earth: The Forest Of Thieves Mix 8:43<br />2. Feel: The Diamond Cake Mix 5:33<br />3. Beauty And The East: The Marine Drive Traffic Jam 6:18<br />4. The Berber Of Seville: The Berber Of Suburbia Mix 6:10<br />5. Dust: The Pigment Of Your Imagination Mix 7:25<br />6. Compassion: The Continental Drift Mix 6:56<br />7. The Berber Of Seville Orchestral Version: Father Mackay's Celestial Vision 5:38<br />8. Remembrance: Fires Remix<br /><a href="http://linkbee.com/FNMV0">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-29843110265668709522010-04-21T16:45:00.000-07:002010-04-21T16:58:17.872-07:00Bombay Dub Orchestra - 3 Cities<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhszD9UVrDXa8h7U4kcRQrtuQ6uoBFGOwGKzMvV88BVj19O0oshCAsXzzke4fyIVA42sTx4CAPvuNsIgJnJiEbh_zC5sJdDmr9e4m6-RyRus4Pa-lEdVD6EggM0E-GrZLqPIsRqWtwvOtsD/s1600/cover.jpg"><img id="BLOGGER_PHOTO_ID_5462741576724085442" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhszD9UVrDXa8h7U4kcRQrtuQ6uoBFGOwGKzMvV88BVj19O0oshCAsXzzke4fyIVA42sTx4CAPvuNsIgJnJiEbh_zC5sJdDmr9e4m6-RyRus4Pa-lEdVD6EggM0E-GrZLqPIsRqWtwvOtsD/s320/cover.jpg" border="0" /></a><br /><div>Step inside the sound of 3 Cities, Bombay Dub Orchestras sophomore release, and experience the crossroads where Mumbai, Chennai, and London musically meet. Since the release of their self-titled debut, the name Bombay Dub Orchestra (consisting of composer/producers Garry Hughes and Andrew T. Mackay) has built quite a reputation. From main-stage performances at the UKs Big Chill Festival and DJing across the globe, scoring feature films to remixing such world-renowned artists as Bob Marley, Nusrat Fateh Ali Khan, and Bebel Gilberto, fans and critics have been eagerly awaiting their next album. For 3 Cities, both Hughes and Mackay traveled to Mumbai and Chennai to record with the cities premier musicians and vocalists before returning to London to mix the album. 3 Cities is where their cinematic soundscapes meet Indian Classical and electronica featuring a huge cast of over 75 musicians.</div><div><br /></div><div>Tracklist</div><div>01. Egypt By Air</div><div>02. Journey</div><div>03. Strange Constellations</div><div>04. Junoon</div><div>05. Spiral</div><div>06. Map Of Dusk</div><div>07. Fallen</div><div>08. Greenish Blue</div><div>09. Monsoon Malabar</div><div>10. Feasting With Panthers</div><div>11. Amina</div><div><a href="http://linkbee.com/FNMUG">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-90405409461748977292010-04-19T17:59:00.000-07:002010-04-19T18:12:25.152-07:00Bill Laswell - Lo.Def Pressure<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4R0WZjQT1Nt0bXn9LKoPup_3EJZqB9KDVGlt78AonsVXVWtREr79Ag6qGbN1PJ0Q8DdmLvv6iK2sjyt_bp4x2nlEIWzY_zt5CnNgePKknhxmIrWlmgJw6XWHue4abUIYxUG_2gsvcXaxS/s1600/images.jpg"><img id="BLOGGER_PHOTO_ID_5462018745690228994" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 122px; CURSOR: hand; HEIGHT: 122px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4R0WZjQT1Nt0bXn9LKoPup_3EJZqB9KDVGlt78AonsVXVWtREr79Ag6qGbN1PJ0Q8DdmLvv6iK2sjyt_bp4x2nlEIWzY_zt5CnNgePKknhxmIrWlmgJw6XWHue4abUIYxUG_2gsvcXaxS/s400/images.jpg" border="0" /></a><br />Lo. Def Pressure consists of two extended compositions (both over 20 minutes) from genre-expanding musician/composer/producer Bill Laswell. Featuring a group of percussionists (including the exceptional tabla player Zakir Hussain) and sound generators, the results are texture-heavy excursions into rhythm that combine ancient musical traditions with modern beat science. It's a meeting of old and new, East and West that has taken place on Laswell's recordings ever since talking drums and tablas met drifting new age ambience on 1988's Hear No Evil. With Lo. Def Pressure, however, he has proven that the same preoccupations can make for captivating music over two decades into his career. "Shyvamythscience" (the composition that forms the first half of the album) begins with the sound of Hussain's busy tabla bubbling up from the music's dark, amorphous waters. Laswell and company proceed through a series of bass heavy, restless rhythmic backings, broken by interludes of morphing tabla and interplanetary drift. The song ends, retreating into the same black sea from which it emerged. On "Black Ice," skittish techno beats lock in with chattering percussion for shape-shifting, syncopated rhythms that dance across the dense, fluctuating textures. The muscle of the album (and its cold heartbeat) is Laswell's bottomless bass. Improvising within a limited range, it acts as a stark, heavy anchor for these icy, deep space explorations. Lo. Def Pressure assimilates elements of dub, techno, hip-hop, and Eastern traditions into a mix that defies any of these categories. ~ Nathan Bush, AMG<br /><br />Tracklist<br />1-Shivamythscience<br />2-Black Ice<br /><a href="http://linkbee.com/FNAW5">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-5525558959105883172010-04-19T16:58:00.000-07:002010-04-19T17:15:24.623-07:00Istanbul Twilight<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf4Ug5isvAdi-rgMZXDdYa3-ltCviVzGzwr4lHwgAZSYsCcnYtry_mj1zRE1pVkgO2HHrPZAUmIeMa5QYX6hLpZmQb0EuiFEKzgqGK8VUCI0mdASH7FJcy6adbudnQ1ET61EYJ_3q2jdc5/s1600/51MmO8%252BCMvL__SL500_AA300_.jpg"><img id="BLOGGER_PHOTO_ID_5462002938092321858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf4Ug5isvAdi-rgMZXDdYa3-ltCviVzGzwr4lHwgAZSYsCcnYtry_mj1zRE1pVkgO2HHrPZAUmIeMa5QYX6hLpZmQb0EuiFEKzgqGK8VUCI0mdASH7FJcy6adbudnQ1ET61EYJ_3q2jdc5/s200/51MmO8%252BCMvL__SL500_AA300_.jpg" border="0" /></a><br /><br />To celebrate the label’s 10th birthday, Doublemoon is releasing an album characterising the city as a constant inspiration to artists & inhabitants alike: its sea, streets, bridges and its culture through the music of musicians in its orbit. The releasese also features two documentaries directed by Veysel Gencten and Gurcan Keltek along with a booklet featuring the photographs of the young Turkish photographer, Ahmet Polat, who has a fast growing international reputation.The double-album features artists from the Doublemoon family such as Mercan Dede, Orient Expressions, Buzuki Orhan Osman, Cahit Berkay & Grup Zan, Burhan Ocal, Baba Zula, Taksim Trio, Selim Sesler, Ilhan Ersahin, Shantel, Kazim Koyuncu, and Craig Harris. These are the ambassadors of Istanbul’s sound to the world beyond representing a multitude of styles and sounds. The mix of styles on this album is a tribute to the fact that an audio- visual treat like this could only be born in the misty twilight of Istanbul.<br /><div></div><br />Tracklist<br />CD1<br />1. Intro - Orient Expressions<br />2. 1 Beste - Mercan Dede,<br />3. Cecom - Baba Zula, Brenna MacCrimmon, Baba Zula<br />4. Biçare - Taksim Trio<br />5. Ennio - Ilhan Ersahin<br />6. Love - Carla Cook, , ,<br />7. Bir Demet Yasemen<br />8. Ben Seni in Dub - Kazim Koyuncu,<br />9. Opaz<br />10. Gözyasi - Selim Sesler <br /><a href="http://linkbee.com/FNANG">link</a><br /><br />CD2<br />1. Maziden - Orhan Osman<br />2. Arda Kalan - Cahit Berkay<br />3. Dem - Azam Ali, Mercan Dede<br />4. Sehristan - Orient Expressions<br />5. Bogaziçi<br />6. Islak Sevdalilar - Baba Zula, Baba Zula<br />7. Gara Guna<br />8. Engewal - Mercan Dede<br />9. Baglama Solo - Taksim Trio<br />10. Outro - Orient Expressions <br /><a href="http://linkbee.com/FNANS">link</a></p>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-75617772965297162792010-04-19T15:48:00.000-07:002010-04-19T15:59:03.768-07:00The Bombay Jazz Palace<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixB5GvhLYU_OJr9NwYgJ-CdSBMQ9giEgbFm3PZ61qlcXKUDU_1L880G8nVCLnQ6NDhTdtxuJXIZHlySOTPDQWZBXbMOoTa-K3KpXMN4Bfyy0HMT68JvCNEL51waNj0YuU9ChESn9Ocj3ym/s1600/618aFgrjcmL__SS400_.jpg"><img id="BLOGGER_PHOTO_ID_5461986666623341346" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixB5GvhLYU_OJr9NwYgJ-CdSBMQ9giEgbFm3PZ61qlcXKUDU_1L880G8nVCLnQ6NDhTdtxuJXIZHlySOTPDQWZBXbMOoTa-K3KpXMN4Bfyy0HMT68JvCNEL51waNj0YuU9ChESn9Ocj3ym/s200/618aFgrjcmL__SS400_.jpg" border="0" /></a><br /><div>John Coltrane was obsessed with India; Miles Davis would stay up for days on end listening to his tabla player; Sonny Rollins, Dave Brubeck and Stan Getz all spent several months in Bombay in the 1950s; Charles Mingus had his ashes scattered in the Ganges. For decades, jazz musicians have bought into the modes, polyrhythms and extended time signatures of Indian music. This collection samples the fruits of these Indo-jazz fusions recorded by Indophile Westerners and jazz-literate Indians alike -- both the exotic and the intellectual, the rootsy and the genteel, the ethereal and the seriously funky. Dig the patter of the tablas, the purr of the tamboura and the liquid funk of the sitar as you enter the Bombay Jazz Palace... </div><br /><div></div>Tracklist<br /><div>1. Paul Horn & Nexus - Latin Tala<br />2. Volker Kriegal - Zoom</div><div>3. Georges Garvarenz - Haschish Party</div><div>4. Dave Mackay & Vicky Hamilton - Blues for Hari</div><div>5. The Dave Pike Set - Raga Jeera Swara</div><div>6. Between - Contemplation</div><div>7. Lalo Schifrin - Secret Code</div><div>8. Grupo Batuque - Tabla Samba</div><div>9. Yves Hyatt - Path To Ascension</div><div>10. Shocking Blue - Acka Raga</div><div>11. Shankar Family & Friends - Dispute & Violence</div><div>12. Shnkar-Jaikishan - Raga Bairagi</div><div>13. Ananda Shankar - Universal Magic</div><div>14. Muhavishla Ravi Hatchud & the Indo Jazz Following - Bombay Palace Pt.1</div><div><a href="http://linkbee.com/FM9RR">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-43170614144484944082010-04-18T20:35:00.000-07:002010-04-18T20:45:04.151-07:00Joe Harriott & John Mayer - Indo-Jazz Suite<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcEsyjLPvwXNzdMiooGGr_J14M1FSteG_BR3unmKrCk4BbyycKYVtuWBJSicqIcffxpaxvy5mHaF-RXl7HBrC7RcHBup8j2_L8GHZF7PAzQiroX-1pyxDCTQtidJ8Qa9xawhpwvtS7sBhO/s1600/indo_jazz1.jpg"><img id="BLOGGER_PHOTO_ID_5461687583407278402" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 318px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcEsyjLPvwXNzdMiooGGr_J14M1FSteG_BR3unmKrCk4BbyycKYVtuWBJSicqIcffxpaxvy5mHaF-RXl7HBrC7RcHBup8j2_L8GHZF7PAzQiroX-1pyxDCTQtidJ8Qa9xawhpwvtS7sBhO/s320/indo_jazz1.jpg" border="0" /></a><br /><div>Tracklist</div><div>1-Overture</div><div>2-Contrasts</div><div>3-Raga Megha</div><div>4-Raga Gaud-Saranga</div><div><a href="http://linkbee.com/FM12M">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-19532463877340327922010-04-18T20:03:00.000-07:002010-04-18T20:46:27.773-07:00Joe Harriott & John Mayer - Indo jazz fusions<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5uK0KSFULeWGF9clRKclgwzoBx4LSVwPheXxTz8_ijpjKARf-jfjYAitF1Ui-WNhLJU3AqFXvgBo5OuBprWK2-I91mj6skxtqzzPx4aqAwNTKgmevbJxpADBqEgWuYGvWsp2gNjFZm5EB/s1600/indo_jazz2.jpg"><img id="BLOGGER_PHOTO_ID_5461680561757049618" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 318px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5uK0KSFULeWGF9clRKclgwzoBx4LSVwPheXxTz8_ijpjKARf-jfjYAitF1Ui-WNhLJU3AqFXvgBo5OuBprWK2-I91mj6skxtqzzPx4aqAwNTKgmevbJxpADBqEgWuYGvWsp2gNjFZm5EB/s320/indo_jazz2.jpg" border="0" /></a><br /><div>Released in 1967, Indo-Jazz Fusions boldly meshed elements of Western and Indian classical music with modal and free-jazz to create a vibrant and organic new sound. The album opens with the 17-minute Mayer composition, “Partita,” a highly orchestrated suite comprised of three linked movements, featuring strong individual solos and an intense collective improvisation at its end. Mayer nimbly conducts both halves of the Double Quintet as they riff on traditional Indian scales (ragas) and lay down intricate rhythmic patterns (talas). Harriott dominates throughout, playing accessibly and free, his impassioned solos soaring to meet Mayer’s Indian challenge.</div><div></div><div><br /></div><div>Tracklist<br />1-Partita </div><div>2-Multani<br />3-Gana<br />4-Acka Raga<br />5-Subject </div><div>6-Raga Piloo</div><div>7-Song before Sunrise</div><div>8-Purvi Variations</div><div>9-Mishra Blues</div><div><a href="http://linkbee.com/FM13V">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-14707839469804127562010-04-18T14:58:00.000-07:002010-04-18T15:12:17.887-07:00Tabla Beat Science - Tala Matrix<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4caoK2MGegNWMXzzafpp7yUiZfy0AyW2PgbRbUXdNpT-gfL6w-MdssdiusjpdrchDeV_4xeH3MzdLw052zj5NKz-QgH407w91dKnilLXVyniyXXBxxOOCHo5RWLYZtexvzaSYGxLviWh/s1600/tabla+matrix.jpg"><img id="BLOGGER_PHOTO_ID_5461601516492025506" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4caoK2MGegNWMXzzafpp7yUiZfy0AyW2PgbRbUXdNpT-gfL6w-MdssdiusjpdrchDeV_4xeH3MzdLw052zj5NKz-QgH407w91dKnilLXVyniyXXBxxOOCHo5RWLYZtexvzaSYGxLviWh/s200/tabla+matrix.jpg" border="0" /></a><br /><br />"Call it an aggregation of some of the best contemporary percussionists: Trilok Gurtu, Zakir Hussain, and Asian Underground star Talvin Singh combine under the sonic washes of producer Bill Laswell to show the possibilities of Indian percussion. It's definitely a beatfest, but one of subtlety, where what is being said isn't as important as the way it's being stated, and the dialogue between hands includes a lot of silences. Gurtu comes from a more jazz tradition, Hussein a classical background, and Singh represents the brash young things of the dance floor. Mostly Laswell leaves it to them to provide the sonic entertainment, which is as it should be with delicate swathes of sound barely intruding, just coloring the proceedings. While it's not for everyone, those who love Indian percussion in all its forms will find this album a complete joy." --Chris Nickson<br /><br />Tracklist<br />1 Secret Channel (7:34)<br />2 Magnetic (7:43)Vocals, Featuring [Sarangi] - Ustad Sultan Khan<br />3 Audiomaze (7:49)<br />4 Don't Worry.com (6:13)Producer [Additional], Tabla, Other [Virus Manipulation, Vox] - Talvin SinghProgrammed By [Logic Programming] - Brad Somatik*<br />5 Palmistry (4:39)Producer [Additional], Drums, Tabla, Keyboards, Computer [Electronics] - Karsh Kale<br />6 Devotional (8:11)Vocals, Featuring [Sarangi] - Ustad Sultan Khan<br />7 Big Brother (4:56)Producer [Additional] - Matt HoweProducer [Additional], Tabla, Drums - Trilok Gurtu<br />8 Triangular Objects (7:57)Drums - Karsh KaleProducer [Additional], Tabla, Other [Virus Manipulation, Vox] - Talvin Singh<br />9 Biotech (6:42)<br />10 Alla (11:52)<br /><a href="http://linkbee.com/FMYJR">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com2tag:blogger.com,1999:blog-1654903845920922301.post-12664922184631145822010-04-18T14:47:00.000-07:002010-04-18T15:16:25.096-07:00Beats Antique - Tribal Derivations<img id="BLOGGER_PHOTO_ID_5461597955081198450" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGGpJ_dRRkTJIhfx0P-RdsoN4UeTQrcQWIJIuHrGDuEkcWJeXES1X7bO2jHBjIZZJBNUrQY10JgNDqlVsZo50PB2ToCpfcKdb7gvyDeBzhId3HQ7x1AggO9bBQIwm-OID2Jt0IMsiwh6a8/s320/folder.jpg" border="0" /> <br />Beats Antique came together to make music for Miles Copeland's Bellydance Superstars<br />extravaganzas. The trio is composed of David Satori (guitar, saz, viola, and percussion), Sidecar Tommy Cappel (keys, toy piano, drums, and percussion), and Zoë Jakes (belly dancer, composer, and arranger). Their music incorporates Middle Eastern grooves, Balkan wedding music, flamenco, French Gypsy jazz, hip-hop, dub reggae, and other Eastern tonalities, all pulled together with electronica that won't put off club kids, but will appeal to world music lovers as well. All of the bandmembers have a long history of innovative music-making behind them.<br /><br />Tracklist<br />1. Battle<br />2. The Lantern<br />3. Tabla Toy<br />4. Rabat<br />5. Slow<br />6. Derivation<br />7. Trinkit<br />8. Break Me<br />9. Nau-Ashta<br />10. Intertwine<br />11. Relic<br />12. Discovered<br />13. Untitled<br /><a href="http://linkbee.com/FMYF2">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-10855527079317659202010-04-17T16:36:00.000-07:002010-04-17T18:58:17.213-07:00Beats Antique - Collide<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifkcjofr6CGRU3KIou84rZzXNNQHK-HngV0o5_dSIMKQF8vxCbe1cATGAeoOX-SK2wkW2hzZQ0La8wgD7z_AhIFRWvv_Z_IH8y7rkLDDZY0ORVce8Vam8aFrryEF6oypnuEHJIMy1egyAA/s1600/51QPV70nsqL__SL500_AA300_.jpg"><img id="BLOGGER_PHOTO_ID_5461258024987903458" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifkcjofr6CGRU3KIou84rZzXNNQHK-HngV0o5_dSIMKQF8vxCbe1cATGAeoOX-SK2wkW2hzZQ0La8wgD7z_AhIFRWvv_Z_IH8y7rkLDDZY0ORVce8Vam8aFrryEF6oypnuEHJIMy1egyAA/s320/51QPV70nsqL__SL500_AA300_.jpg" border="0" /></a><br /><br /><div><br /></div><br /><div>Beats Antique, an oakland based group featuring Zoe Jakes, David Satori, And Sidecar Tommy, have stumbled down the rabbit hole and emerged anew on the other side. COLLIDE is a product of that absurd adventure, forging a curious alliance between middle eastern traditions and potent west coast circus, underground hip hop, breakbeat brass band, downtempo, glitch and dubstep. Beats Antique's second album has brought the paradox of electro-acoustic music into the future.</div><div><br /></div><div>Tracklist</div><div>01. Beauty Beats </div><div>02. Dope Crunk </div><div>03. Erase </div><div>04. Scratch </div><div>05. Roustabout </div><div>06. Nesatovo </div><div>07. Caterpillar </div><div>08. Slapdash Era </div><div>09. Sweet Demure </div><div>10. Milieu </div><div>11. Shrine </div><div>12. Borino </div><div>13. Roustabout (Bassnectar Remix)</div><div><a href="http://linkbee.com/FML3B">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-79396613082383733942010-04-16T20:38:00.000-07:002010-04-17T17:07:20.603-07:00TABLA BEAT SCIENCE - Talamanam Soundclash, further Adventures in Hypercussion<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFyvmMLmw9RVUaSk9BwZYaorGY6zxl_B3Jvvs2ceflyFnUqEm_jWtpt9thaTGhWUrh2LNazHMnQr7fHnhaUXFFCPaFYN6SB6uga0klmK0D_Poy06YedGV20Ygc-VQHPn1ko9Pj34w5eCai/s1600/5171GX5JH0L._SS500_.jpg"><img id="BLOGGER_PHOTO_ID_5460946301824936258" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFyvmMLmw9RVUaSk9BwZYaorGY6zxl_B3Jvvs2ceflyFnUqEm_jWtpt9thaTGhWUrh2LNazHMnQr7fHnhaUXFFCPaFYN6SB6uga0klmK0D_Poy06YedGV20Ygc-VQHPn1ko9Pj34w5eCai/s320/5171GX5JH0L._SS500_.jpg" border="0" /></a>Bill Laswell: bass<br />Zakir Hussain: tabla<br />Sultan Khan: sarangi, Vocals<br />Karsh Kale: drums, tabla<br />Ejigayehu "Gigi" Shibabaw: vocals<br />MIDIval PunditZ: electronics and computer programming<br />DJ Disk: turntablesFabian Asultany: synthezisers, keyboards<br />Racorded 21 June 2002, at Filmore in San Francisco<br /><br />DISC 1<br />1. As always<br />2. Sacred Channel<br />3. Mengedenga<br />4. As we Drift<br />5.Vinylskin<br /><a href="http://linkbee.com/FMKV1">link</a><br /><br />DISC 2<br />1. Magnetic<br />2. Satellite<br />3. B still Transient<br />4. Bol Parhant<br />5. Devotional<br /><a href="http://linkbee.com/FMKWC">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-40618113539644351252010-04-16T20:17:00.000-07:002010-04-17T17:08:23.289-07:00The Bombay Connection vol.1 - Funk From Bollywood Action Thrillers<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiDwvm_6dKF8AKjRdFZl79jYfSE2oTe-j203cb5KOdgYcopz4qkoHfhd5kMvGlmvi-IWZ_eExOLm_nXSx1tniogfIbEXv4hD3_CVYcezppHu07V-HLZv6yztgun8MZCDSv6x6UPKY93KZl/s1600/The_Bombay_Connection.jpg"><img id="BLOGGER_PHOTO_ID_5460941182466534386" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 180px; CURSOR: hand; HEIGHT: 162px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiDwvm_6dKF8AKjRdFZl79jYfSE2oTe-j203cb5KOdgYcopz4qkoHfhd5kMvGlmvi-IWZ_eExOLm_nXSx1tniogfIbEXv4hD3_CVYcezppHu07V-HLZv6yztgun8MZCDSv6x6UPKY93KZl/s320/The_Bombay_Connection.jpg" border="0" /></a><br />Featuring 13 tracks of the best BOLLYWOOD FUNK, recorded between 1977 and 1984. After the example of Hollywood many Indian action films of the 70s and 80s were scored with great funky tunes and frantic chase funk. Bollywood being Bollywood the funk was given a strong Indian twist. The result: super funky, stunningly original funk grooves that will set any dance floor on fire. Featuring among others the steaming sexy funk of BOMBAY 405 miles and ultra rare funk gems from the Hindi safari film HABARI and the violent hippie flick SALAAM MEMSAAB.<br /><br />Tracklist<br />1 Kalyanji-Anandji‘s Cabaret Dance Music from ANJANE MEIN (1978)<br />2 R.D. Burman‘s Main Hoon Lilly from BOND 303 sung by Asha Boshle (1984)<br />3 Sapan-Jagmohan‘s Giraffe Trapping Music from HABARI (1979)<br />4 Kalyanji-Anandji‘s Na Na Na Yeh Kya Karne Lage Ho from BOMBAY 405 MILES sung by Hemlata (1980)<br />5 R.D. Burman Music from SALAAM MEMSAAB (1978)<br />6 Charanjit Singh‘s instrumental of version of Pyar Chaiye Keh Paisa from CHHAILLA BABU (1979)<br />7 Sonik-Omi‘s Ye Jawani Hai Mera Jaan from HEERON KA CHOR sung by Mohd. Rafi & Asha Boshle (1981)<br />8 Kalyanji-Anandji‘s Music Theme from KASHISH (1980)<br />9 Laxmikant-Pyarelal‘s Yeh Dhuaan from DIL AUR DEEWAAR sung by Asha Boshle (1979)<br />10 Govind-Naresh‘s Dance Music from GHAMANDEE (1981)<br />11 Sapan-Jagmohan‘s Sote Sote Adhi Raat from SISKEYAN sung by Salma Agha (1983)<br />12 R.D. Burman‘s Title Music from THE BURNING TRAIN (1979)<br />13 Bappi Lahiri‘s Kya Jane Yeh Duniya Kya Jane from TOOTE KHILONE sung by Amit Kumar and S.Pandit (1977)<br /><a href="http://linkbee.com/FMDNB">link</a>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com1tag:blogger.com,1999:blog-1654903845920922301.post-52447953348464224372010-04-16T20:07:00.000-07:002010-04-17T17:12:58.213-07:00The Bombay connection vol.2 - Bombshell Baby Of Bombay<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibcvlROeO_iD_r9NlB4p2jsVc6mERkk0hEt0doDfN5msMtas8paB427jnEFeP7_hDTXaB1nLzPC26htAVKMneQ6QwQe979BgVnkmTC6-LGWAJAMlRjJRfqrQcFSpowWMep5ygQgbUbZtVY/s1600/Bombshell_Baby_Of_Bombay.jpg"><img id="BLOGGER_PHOTO_ID_5460938183563126370" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 180px; CURSOR: hand; HEIGHT: 161px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibcvlROeO_iD_r9NlB4p2jsVc6mERkk0hEt0doDfN5msMtas8paB427jnEFeP7_hDTXaB1nLzPC26htAVKMneQ6QwQe979BgVnkmTC6-LGWAJAMlRjJRfqrQcFSpowWMep5ygQgbUbZtVY/s320/Bombshell_Baby_Of_Bombay.jpg" border="0" /></a><br /><div>Featuring 12 tracks of bouncing BOLLYWOOD NIGHTCLUB music, recorded between 1959-1972. The Bollywood industry has alwayes loved anything that draws the crowds into the cinema, and allready in the early 50‘s it proved that the SEXY NIGHT CLUB SCENE was a big crowd puller in prudish India. Set in a dark club with a moody jazz or R&R band, a scarcely dressed vamp sipping whiskey and smoking cigarettes – would perform sexy hip shakes that set the whole male audience on fire. Needless to say that these CLUB DANCES contain some of the most exciting cross-over music ever made, mixing sitars and tablas with jazz, beat and rock & roll. On this album 12 tracks of the golden years night club music, including the classic GUMNAAM and LOAFER and many nuggets that we‘ve freshly dug up for you like the beatlesque sitar groover PRIYA and the infuriated bongo killer madness of KALA BAZAR.</div><div><br /></div><div>Tracklist</div><div>1 R.D. Burman – KATI PATANG – Mera Naam Hai Shabnam – Asha Boshle – 1970</div><div>2 Shankar-Jaikishan – GUMNAAM – Jan Pahechan Ho – Mohd. Rafi – 1965</div><div>3 SAAS BHI KABHI BAHU THI – Ek Bottle Hogal Mein – Kishore Kumar & Asha Boshle – 1971</div><div>4 O.P. Nayyar – KISMAT – One Two Three Baby – Asha Boshle & Mahendra Kapoor – 1968</div><div>5 Laxmikant-Pyarelal – LOAFER – Kahan Hai Woh Diwana – Asha Boshle – 1972</div><div>6 Shankar-Jaikishan – ANARI – 1956, 1957, 1958 – Lata Mangeshkar & Manna Dey – 1959</div><div>7 Chitragupta – HAMARA ADHIKAR – Bum Pam Bum Pam Pa Ra Ra – Kishore Kumar & Asha Boshle – 1971</div><div>8 S.D. Burman – KALA BAZAR – Sambhalo Sambhalo Apna Dil – Asha Boshle – 1960</div><div>9 O.P. Nayyar – KISMAT – Title Music – 1968</div><div>10 Kalyanji-Anandji – PRIYA – Pretty Pretty Priya – Anand Prayag & Chorus – 1968</div><div>11 Shankar-Jaikishan – EK PHOOL CHAR KANTE – Bombshell Baby of Bombay – Iqbal Singh – 1960</div><div>12 Title Kalyanji-Anandji – BLUFF MASTER – Title Music – 1962</div><div><a href="http://linkbee.com/FMDNC">link</a></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0tag:blogger.com,1999:blog-1654903845920922301.post-80551512364093221102010-04-16T10:54:00.000-07:002010-04-17T17:14:56.571-07:00Sitar Beat! Indian Style Heavy Funk Vol.1 & 2<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUmSLzXI5a9vBtcDIbZIu7i2PmXCpRFelQuPVtNFCQp5c-IN7dZ3ZOSqeyXgiCZsuvL6K9_uex4jw1jwRH6ueH1qcbk-Qa_Ukm91_Qmct4lRWjftTN2N4yK3s8atzYl4ReIxi-08uLGHM9/s1600/Sitar1.jpg"><img id="BLOGGER_PHOTO_ID_5460796138121171218" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUmSLzXI5a9vBtcDIbZIu7i2PmXCpRFelQuPVtNFCQp5c-IN7dZ3ZOSqeyXgiCZsuvL6K9_uex4jw1jwRH6ueH1qcbk-Qa_Ukm91_Qmct4lRWjftTN2N4yK3s8atzYl4ReIxi-08uLGHM9/s320/Sitar1.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkmUk9n2oKtRlL-wa6vKLQndsyg6cGaGedxb5E5Rjaa-p65u3vE_-2VzrchnaLutlATO_R3GFNJm9Mgs-bmQslo8K3wJU3n7ueQS1e5lxR6lZX_2bsKg7fBSUCxZjuPFfDGkZEfDbggzFv/s1600/Sitar2.jpg"><img id="BLOGGER_PHOTO_ID_5460795906535774818" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 239px; CURSOR: hand; HEIGHT: 233px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkmUk9n2oKtRlL-wa6vKLQndsyg6cGaGedxb5E5Rjaa-p65u3vE_-2VzrchnaLutlATO_R3GFNJm9Mgs-bmQslo8K3wJU3n7ueQS1e5lxR6lZX_2bsKg7fBSUCxZjuPFfDGkZEfDbggzFv/s320/Sitar2.jpg" border="0" /></a><br /><br /><div>The Sitar Beat series was built with the DJ in mind - collecting some of the wildest, heaviest and most psychedelic Indian Funk recorded and presenting it loud on wax, ready for the turntable. Now, due to popular demand, we’re collecting the heaviest cuts from this vinyl series and presenting them on a limited edition CD. The first four volumes were lessons in just how ahead of their time India’s Bollywood composers were in the 60s, 70s and early 80s. They dug into Indian deep funk and psycho-psychedelic masterpieces recorded for the Bollywood film industry. Alongside full length killers like the funkiest track from the rare “Qurbani” soundtrack, there were Bollywood funk fiestas by acclaimed composers such as Kalanji Ananji and R.D. Burman, with extended breakbeats and re-edits that upped the funk to the boiling point. Together with Ravi’s nephew Ananda Shankhar’s instrumental Sitar freak outs were diva Asha Boshle’s soulful wailings. Culling its music from rare vinyl and utilizing tasteful restoration and remastering, Sitar Beat was the first time that many of these songs are heard by the record-buying public - at least in this form. Edits remove any bobbing and weaving, leaving funk that only flies straight ahead!<br /><br /></div><div></div><div>Tracklist Vol.1</div><div><br />1. Klaus Doldinger: Sitar Beat<br />2. Klaus Doldinger: Sitar (Bonus) Beats<br />3. Kalyanji Anandji:<br />4. Sapan Jagmohan: Meri Aakhon Mein (Edit)<br />5. Asha Boshle w/ R.D. Burman:<br />6. Serge Gainsbourg: New Delire<br />7. Serge Gainsbourg w/ Michel Colombier:<br />8. Ananda Shankar: Dancing Drums<br />9. R.D. Burman: Rocky Bonus Beats<br />10. R.D. Burman w/ Asha Boshle & Kishore Kumore:<br />11. Raghunath Seth: Orchestral Music (Edit)<br />12. Kalyanji Anandji: Somebody To Love (Edit)<br />13. Kalyanji Anandji: Bairaag Dance Music (Edit)<br />14. Kalyanji Anandji: Banarasi Babu Beats<br />15. Usha Khanna: Hotel Incidental Music (Edit)<br />16. Kalyanji Anandji: Theme From Don<br />17. Annu Malik w/ Asha Bhosle & Chorus:<br />18. R.D Burman: The Burning Train (Kou’s Edit)<br />19. Biddu: Qurbani Bonus Beats<br />20. Biddu w/ Manhar & Anand:<br />21. Ananda Shankar: Sa Re Ga (Edit) </div><div><a href="http://linkbee.com/FL9F0">link</a></div><div><br /><br /></div><div>Following the success of the first Sitar Beat compilation CD, a collection of Indian and Indian-inspried European funky selections from the 60s and 70s, the crew knew they had to come deep for the sequel. So for Volume 2, they go straight to heart of India with some of the rarest, and best tracks recorded between the years of 1970 and 1984. Nearly all of these tracks are appearing on CD for the first time. Sixteen tracks of rare and funky Indian flavor, blending heavy beats with the sounds of the sitar and the inimitable vocal sounds of beloved Indian singers such as the ubiquitous Asha Bhosle and producers/songwriters like Kalyanji Ananji and R. D. Burman. Most of the tracks are culled from Bollywood sound tracks from the 70s and early 80s. Enormously popular, often wild and packed with action and romance, these films put the intense music of star composers like Burman and Kalyanji & Anandji at the forefront. The strange, psychedelic sounds possess their own cultural mish-mash of flavors combining traditional Indian instrumentation and melodies with film music s intensity, and incorporating styles from American/Western music from about 5 years or so behind the trend. All this to say expect funk, psychedelic rock, disco and proto-electro to jump out from the grooves of Sitar Beat Volume 2 and hit you harder than a mouth full of spicy masala. This is soul from the Sub-continent at it s best!</div><div><br /><br /></div><div>Tracklist Vol.2</div><div><br />1. The Witness (Babla & his Orchestra)<br />2. Awara Sadiyon Se (Kalyanji Anandji)<br />3. Everybody Dance With Me (S.D. Narang)<br />4. Wada Karle Sajna (Kalyanji Anandji)<br />5. Nigahon Ka Adaon Ka (K. Anandji)<br />6. Freak Out Music (R.D. Burman)<br />7. Dushmun Title Music (L. Pyarelal)<br />8. Pyar Zindagi Hai (Kalyanji Anandji)<br />9. Tera Jasia Pyara Koi Nahin (Khanna)<br />10. Phir Teri Yaad (Hemant Bhosle)<br />11. Main Akeli Raat Jawan (Ajit Singh)<br />12. Bekaraar Bekaraar Bekaraar Kiya<br />13. Aaj Mera Dil (R.D. Burman)<br />14. Dard-E-Dil (Laxmikant Pyarelal)<br />15. Butterfly (Keith Kanga, PT 2)<br />16. Laila O Laila (Kalyanji Anandji) </div><div><a href="http://linkbee.com/FL9H6">link</a></div></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com2tag:blogger.com,1999:blog-1654903845920922301.post-52560437777875563592010-04-16T10:08:00.000-07:002010-04-17T17:16:29.397-07:00Dj Cheb i Sabbah - Krish Lila<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu4Ugk0-Ly7Lvfg00UiwLaLMJXcizg6RXIq-KsNZ9LNzdZf1NhHawVfHZyiLHttOmgarXa6obbLv6fxxYl2Ts9uNVrH05QSfvp7SYCbBr0K8HohF-Fom9cE_W7hOREGw0zJuIScoNCEEar/s1600/krishna_lila.jpg"><img id="BLOGGER_PHOTO_ID_5460783900298560658" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 298px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu4Ugk0-Ly7Lvfg00UiwLaLMJXcizg6RXIq-KsNZ9LNzdZf1NhHawVfHZyiLHttOmgarXa6obbLv6fxxYl2Ts9uNVrH05QSfvp7SYCbBr0K8HohF-Fom9cE_W7hOREGw0zJuIScoNCEEar/s320/krishna_lila.jpg" border="0" /></a><br />"The music of the world converges through the productions and remixes of Algeria-born and San Francisco-based DJ Cheb I Sabbah. The producer/promoter of a now defunct world music series, 1002 Nights, Sabbah presented a diverse range of musicians including Pakistani Qawwali singer Nusrat Fateh Ali Khan and London-based Bhangra group, Bally Sagoo. Since 1988, Sabbah has presented a similar series, Africa/India/Arabia, weekly at Nickie's, a popular San Francisco nightclub. Sabbah began his professional career in the mid-'60s, when he DJed at a Parisian club where he played American soul records. In the late '60s, he became involved with an experimental performance group, the Living Theater. After moving to San Francisco in 1986, he joined a similar group, the Tribal Warning Theater, building a solid reputation for his artistically spliced soundtracks for the group's shows. Sabbah's debut album, The Majoon Traveler, released in 1994, combined cut-up remixes of pieces by Don Cherry, Ornette Coleman, and Angus Maclise with the poetry of Ira Cohen." ~ Craig Harris, All Music Guide<br /><br />Tracklist<br />01. Narajanma Bandage<br />02. Violin Solo<br />03. Maname Diname<br />04. Anjali<br />05. Raja Vedalu<br />06. Lagi Lagan<br />07. Tum Bin Shyam<br />08. Rupa Tujhe Deva<br />09. Govinda<br /><a href="http://linkbee.com/FL896">link</a><br /><br /><br /><br /><br /><div></div>Eclecticipherhttp://www.blogger.com/profile/09853330133910745605noreply@blogger.com0